Meg Turner

Printmaker and photographer working out of New Orleans, Louisiana. Her practice spans prints, photography, and installation projects that respond to the landscape and the community she is part of.

In addition to her own work and contract printing, Meg serves as the master printer for local photogravure and wet collodion artist Josephine Sacabo. She founded the New Orleans Community Printshop and has since stepped back from a leadership position to focus on her studio practice.

She shoots primarily with a 4×5 Crown Graphic press camera, working in film and wet collodion.

A circular portrait embedded in a dramatic magenta-to-indigo gradient field, with deep black edges framing the composition

Guides

  1. Printmaking Techniques for Layering ColorLayered colour gives a print its sense of depth, rhythm and atmosphere. Rather than placing every tone on the surface at once, the artist builds an image…
  2. The Art of the Photogram: Cameraless ImagesA photogram begins where ordinary photography seems to stop: without a lens, a camera body or a viewfinder. Objects are placed directly onto light-sensitive…
  3. Why I use a bellows camera for landscape workLandscape photography asks me to slow down. A view may appear instantly, but making a photograph that carries its atmosphere requires attention to light,…
  4. Making Your Own Cyanotype EmulsionCyanotype is one of the most accessible historic photographic processes: two iron-based solutions are combined, brushed onto paper, dried in darkness and…
  5. Building a DIY Contact Printing FrameContact printing remains one of the most precise techniques in analog photography and fine art printmaking, allowing practitioners to create sharp, full-scale…
  6. The Physics of Light in the Darkroom and How It Shapes the ImageLight behaves in the darkroom the same way it behaves everywhere else, which is to say it obeys physics rather than intuition. Photographers who work in…
  7. Restoring Vintage Cameras Through a Photographer's EyeThere's a particular weight to a brass and leather folding camera that no modern mirrorless body can replicate. When I pick up a 1930s bellows camera or a…
  8. Digital vs. analog: a practical comparison for artistsThe choice between digital and analog is rarely a simple contest between old and new. For artists, each approach changes how an image is made, edited, printed,…
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