Meg Turner

Printmaker and photographer working out of New Orleans, Louisiana. Her practice spans prints, photography, and installation projects that respond to the landscape and the community she is part of.

In addition to her own work and contract printing, Meg serves as the master printer for local photogravure and wet collodion artist Josephine Sacabo. She founded the New Orleans Community Printshop and has since stepped back from a leadership position to focus on her studio practice.

She shoots primarily with a 4×5 Crown Graphic press camera, working in film and wet collodion.

A circular portrait embedded in a dramatic magenta-to-indigo gradient field, with deep black edges framing the composition

Guides

  1. A photographer’s guide to New Orleans architectureNew Orleans architecture is best understood as a living record of climate, migration, commerce and adaptation. A Creole cottage, an iron balcony, a narrow…
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  6. The art of toning prints in the darkroomToning is one of the most expressive stages in traditional photographic printing. A sepia bath can turn a cool silver image into something warm and intimate,…
  7. Hosting a community printmaking workshop that lastsPrintmaking has long lived in the communal space, from the working presses of early 20th-century union halls to the volunteer-run studios tucked behind pubs in…
  8. Finding the Right Printmaking Residency for Your PracticeA residency changes the texture of an artist's working life. Few experiences open up a studio practice quite like time inside a dedicated printmaking workshop.…
  9. Understanding the Photographic Chemistry of Silver Gelatin PrintsFor over a century and a half, photographers have relied on a remarkably elegant chemical process to produce images that range from quiet family snapshots to…
  10. Creating a Series: From Concept to ExhibitionA strong body of work rarely arrives fully formed. It develops through looking, testing, discarding, returning and noticing connections between separate…